23 Free Images of Drawings Of Corinthian Capitals

meyer's ornamenthigh renaissance16th-century unidentified artists in francepalazzo massimo alle colonne (rome) in artdrawings in the metropolitan museum of artblack chalkbrown inkmetropolitan museum of artarchitectural drawings in the deutsche fotothekcopper engraving print on paper
Capital and Base of a Corinthian Column
german renaissancesebald beham
Orna128-Saulenkapitaele
drawings of ionic capitalsmeyer's ornament
Orna134-Pilasterkapitaele
drawings of ionic capitalsmeyer's ornament
Fig 064 Säulenkapitell vom östlichen Peristylflügel, George Niemann, 1904
niemann - the palace of diokletian categorizeddrawings of corinthian capitals
Fig 065 Säulenkapitell vom östlichen Peristylflügel - Niemann 1904, George Niemann
niemann - the palace of diokletian categorizeddrawings of corinthian capitals
Pedestal, base, capital and ornaments (Roman-Corinthian order), 1664
die grund-regeln der bau-kunstdrawings of corinthian order
Entablature and capital (Roman-Corinthian order), 1665
drawings of corinthian capitalsdie grund-regeln der bau-kunst
A Corinthian capital with female figures on the corners, Constantin Hansen
drawings by constantin hansen in the statens museum for kunstdanish golden age
Orna133-Pilasterkapitaele
drawings of corinthian capitalsmeyer's ornament
Orna132-Pilasterkapitaele
drawings of corinthian capitalsmeyer's ornament
Copy after a Corinthian capital, Gustave Moreau, between 1850 and 1895
drawings in musée gustave-moreausymbolism
Comparison of the Corinthian orders of Vignola and Sebastiano Serlio, Sebastiano Serlio, 1692
drawings of corinthian capitalstheatrum architecturae civilis
Capital from the Mosque of El-Aksa, James Tissot, between 1886 and 1894
capitals of the al-aqsa mosque by james tissotjaponisme,realism
Capital from the Mosque of El-Aksa, James Tissot, between 1886 and 1894
capitals of the al-aqsa mosque by james tissotjaponisme,realism
A Mosque at Gazipoor(, William Hodges, 1781
drawings in the yale center for british artpaintings by william hodges
Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso)
16th-century unidentified artists in francehigh renaissance
Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso)
16th-century unidentified artists in francehigh renaissance
Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso)
16th-century unidentified artists in francehigh renaissance
Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso)
16th-century unidentified artists in francehigh renaissance
Drawing, sketch-book, Amico Aspertini, between 1532 and 1535
drawings by amico aspertini in the british museumdrawings on vellum in the british museum
Klassieke architectuur, met op de grond een Korintisch kapiteel, RP-T-00-2660, Thomas Cool, between 1861 and 1904
pen and ink drawings in the rijksmuseum amsterdamthomas cool
Porte du collège de Bayeux, 93 rue de la Harpe, D.11550, Alfred Bonnardot, En 1839
drawings of paris by alfred bonnardotcollège de bayeux (paris)
Porte de l'escalier dans la cour de la maison dite de la Reine Blanche, rue Boutebrie, 5ème arrondissement, Paris. D.8021(333)(2), 06–03–1854
drawings in musée carnavaletrue boutebrie (paris)
1 - 23 of 23
/ 1